December 10th // Masterlist
From
glinda: The Mechanisms! Perhaps tell me why I should (or shouldn't) check out their latest album. (I love Once Upon a Time in Space but have never got round to their subsequent work.)
So first of all, I should say in response to the specific question asked, that while the band's musical and recording talent has increased with their two successive, albums, I still love Once Upon A Time In Space the most, by quite a large margin. High Noon Over Camelot was lots of fun, and I really enjoyed that one. Not personally a large fan of Ulysses Dies At Dawn, although there are a couple of individual songs in that which I liked.
At this point I should probably backtrack and explain a bit for people who aren't already Mechs fans! The Mechanisms are an explicitly queer music band, all of whom have personas as a ragtag band of steampunk space pirates on the starship Aurora. (They're all literally bionic constructs, so are immortal.) Each album they release is a complete story with songs and narrative, supposedly each about a different civilisation the Mechs have encountered in their travels. (…"Everyone dies tragically" is quite a common theme here.) They're also personal friends of mine, which I always argue makes me less likely to give a falsely inflated impression of their talent — a couple of years ago I had regular practice sessions happening in the room literally right over my head, and Mechs staying in the living room every second weekend, and I still love their music! ;)
If you're free in Oxford or London (or at NineWorlds or the Edinburgh Fringe!) you really should watch them live. The CDs are good, but their show is amazing. If you're not anywhere near, all their albums are both free to stream and pay-what-you-want to buy on Bandcamp.
Their first album was Once Upon A Time (In Space), and is a reworking of fairytales. It tells the story of the bloody revolution against tyrannical Old King Cole, and the tragic love story of Rose Red and Cinderella.
When I was a little girl, my mother always told me:
"Someday a Prince will come, my love."
But as I grew I knew it was a Princess who would hold me;
I looked to the stars for you, my love.
Since it has revolutions and lesbians, I was definitely primed to enjoy it! But I really do love this album. The songs are all great, and ridiculously catchy. (Lots of them are riffing off traditional/folk songs.) I love the main characters; I'm deeply invested in them and have loads of headcanons about what happened after the end of the album. (I've written several fics for this one.)
Next up is Ulysses Dies At Dawn. This one I have more mixed feelings about. It's definitely more sophisticated, in terms of music and recording quality, than the previous. It tells a story set deep beneath the surface of a planet which is entirely city, and slums, and gangs, and horrific technology, and takes place over the course of the night. Ulysses is being tortured to open a vault, and the songs are about the history and stories of both Ulysses and xe's tormentors.
I have to say, I didn't really click with this one. The gritty, dark music style isn't what I enjoy, and also all the characters are just really awful people — there wasn't anyone I remotely wanted to "win", which is a real problem for me when it comes to enjoying a story. I have to like people, and I really couldn't here. Also I found the vault reveal to be rather trite. But this is lots of people's favourite albums, I know! I do know that this is most of the band's favourite album, as it's apparently the most fun to play :P But yeah, I definitely don't dislike it, but it just wasn't my style at all in music or story.
Their third album, released a few months ago, is High Noon Over Camelot; Arthurian tales played out in a space station long fallen into Wild West-style anarchy. With this one we were back to characters which I could root for, so yay! I also like the much more upbeat music style of this compared to Ulysses. There are some wonderfully catchy songs — Skin and Bone seems to be a general favourite, as well as Holder of the G.R.A.I.L. As with the others, the album is full of lovely little nods to the source mythos, and manages a lot of hugely funny moments in among the death! I especially appreciated the triad relationship of Arthur/Lancelot/Guinevere, which did not end in betrayal or otherwise fall apart :) Also the recording quality continues to improve, so on technical terms this is the best so far.
We're not pure of heart, but we're sure of aim
And our heads are filled with love and blood and whiskey.
There's also a small micellany of other songs, recently also released on Bandcamp as the album Tales to be Told. These include several origin stories for the Mechs themselves, which predate their first album release. Gunpowder Tim versus the Moon Kaiser is a great little mini-cycle, very atmospheric and funny. (Also I physics-picked/argued a lot about laser-based weaponry this, shhh I'm proud!) The Lotus Eaters is another of my favourites, and One Eyed Jack's, Jonny's origin song, is ridiculously catchy. Extreme mayhem cheerfully set to "When Johnny Comes A-Marching Home"!
In conclusion: best band of roving space pirates you're likely to hear. Go listen! Oh, and I would be remiss if I didn't mention that their little fandom also has a dreamwidth comm,
the_mechanisms. :)
From
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So first of all, I should say in response to the specific question asked, that while the band's musical and recording talent has increased with their two successive, albums, I still love Once Upon A Time In Space the most, by quite a large margin. High Noon Over Camelot was lots of fun, and I really enjoyed that one. Not personally a large fan of Ulysses Dies At Dawn, although there are a couple of individual songs in that which I liked.
At this point I should probably backtrack and explain a bit for people who aren't already Mechs fans! The Mechanisms are an explicitly queer music band, all of whom have personas as a ragtag band of steampunk space pirates on the starship Aurora. (They're all literally bionic constructs, so are immortal.) Each album they release is a complete story with songs and narrative, supposedly each about a different civilisation the Mechs have encountered in their travels. (…"Everyone dies tragically" is quite a common theme here.) They're also personal friends of mine, which I always argue makes me less likely to give a falsely inflated impression of their talent — a couple of years ago I had regular practice sessions happening in the room literally right over my head, and Mechs staying in the living room every second weekend, and I still love their music! ;)
If you're free in Oxford or London (or at NineWorlds or the Edinburgh Fringe!) you really should watch them live. The CDs are good, but their show is amazing. If you're not anywhere near, all their albums are both free to stream and pay-what-you-want to buy on Bandcamp.
Their first album was Once Upon A Time (In Space), and is a reworking of fairytales. It tells the story of the bloody revolution against tyrannical Old King Cole, and the tragic love story of Rose Red and Cinderella.
When I was a little girl, my mother always told me:
"Someday a Prince will come, my love."
But as I grew I knew it was a Princess who would hold me;
I looked to the stars for you, my love.
Since it has revolutions and lesbians, I was definitely primed to enjoy it! But I really do love this album. The songs are all great, and ridiculously catchy. (Lots of them are riffing off traditional/folk songs.) I love the main characters; I'm deeply invested in them and have loads of headcanons about what happened after the end of the album. (I've written several fics for this one.)
Next up is Ulysses Dies At Dawn. This one I have more mixed feelings about. It's definitely more sophisticated, in terms of music and recording quality, than the previous. It tells a story set deep beneath the surface of a planet which is entirely city, and slums, and gangs, and horrific technology, and takes place over the course of the night. Ulysses is being tortured to open a vault, and the songs are about the history and stories of both Ulysses and xe's tormentors.
I have to say, I didn't really click with this one. The gritty, dark music style isn't what I enjoy, and also all the characters are just really awful people — there wasn't anyone I remotely wanted to "win", which is a real problem for me when it comes to enjoying a story. I have to like people, and I really couldn't here. Also I found the vault reveal to be rather trite. But this is lots of people's favourite albums, I know! I do know that this is most of the band's favourite album, as it's apparently the most fun to play :P But yeah, I definitely don't dislike it, but it just wasn't my style at all in music or story.
Their third album, released a few months ago, is High Noon Over Camelot; Arthurian tales played out in a space station long fallen into Wild West-style anarchy. With this one we were back to characters which I could root for, so yay! I also like the much more upbeat music style of this compared to Ulysses. There are some wonderfully catchy songs — Skin and Bone seems to be a general favourite, as well as Holder of the G.R.A.I.L. As with the others, the album is full of lovely little nods to the source mythos, and manages a lot of hugely funny moments in among the death! I especially appreciated the triad relationship of Arthur/Lancelot/Guinevere, which did not end in betrayal or otherwise fall apart :) Also the recording quality continues to improve, so on technical terms this is the best so far.
We're not pure of heart, but we're sure of aim
And our heads are filled with love and blood and whiskey.
There's also a small micellany of other songs, recently also released on Bandcamp as the album Tales to be Told. These include several origin stories for the Mechs themselves, which predate their first album release. Gunpowder Tim versus the Moon Kaiser is a great little mini-cycle, very atmospheric and funny. (Also I physics-picked/argued a lot about laser-based weaponry this, shhh I'm proud!) The Lotus Eaters is another of my favourites, and One Eyed Jack's, Jonny's origin song, is ridiculously catchy. Extreme mayhem cheerfully set to "When Johnny Comes A-Marching Home"!
In conclusion: best band of roving space pirates you're likely to hear. Go listen! Oh, and I would be remiss if I didn't mention that their little fandom also has a dreamwidth comm,
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)